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The discovery: The mosaic patterns and designs


A photo of the remaining mosaic by English Heritage Photogrammetry Unit, York


Mosaic from the larger southern room. It was made by the English Heritage Photogrammetry Unit, York.
( 13 , 14 )

Click here to view a larger image (169KB)





The mosaic was believed to be the work of the Saltire School based in Corinium, now known as Cirencester. The main characteristics of these designs are large squares and saltires (St Andrew's crosses), with central roundals. The mosaic is multi-coloured or polychrome (Poly = many, from the Greek polus - much and chrome from Greek khroma - colour). The use of the various tones of blue, white, buff and brown, and the red of the terracotta, gave great richness.

Photo showing large tesserae border of mosaic The southerly end almost 7m x7m and the north end 4.5m x 4.5m. The design at first glance seems symmetrical but gradually it becomes apparent that that is not the case.

The largest and best preserved area is in the south. The outer border is as elsewhere, set with the larger tesserae, within which the main decorative panel was placed. I will describe it as approached in the way of a visitor walking through the ante chamber and moving towards the south. On your left there is a fish heading south (sadly much of the body missing) within the leaf and guilloche border.

Larger tesserae block. Photo Nicholas Durnan

Photo showing heart shaped leavesThe first of the fine tesserae form a wider band around the whole of that part of the room. Both panels are surrounded by a band of ‘cornice’ or egg and dart motif. This series of circles, here separated by ‘apple-core’ shapes, each contains a heart-shape leaf. The leaves are alternately inward and outward pointing. Within this band a further boarder and the first of the guilloche (a plait or braid). This one appears double stranded.

Photo Nicholas Durnan


With the exception of this border, the design lacks symmetry, although the geometry remains important for our understanding of how the design was laid out.

North
A4 A3 A2 A1
B4 B3 B2 B1
C4 C3 C2 C1
D4 D3 D2 D1
South

Sixteen squares together form a
square panel filling most of the
area. Use this diagram as a
reference to the following
pattern descriptions.


Diagram showing the star of interlaced squares in guilloche Photo of a cantharis from the mosaic This star also occurs in A2, C2, B1 and B3 A2 and C2 contained a flower with 8 petals, B1 and possibly B3 a fan flower to shape.



The image that we chose to reconstruct, the cantharus (2 handled drinking vessel), can be found at A3. C1 is the same except its mouth faces north.

A cantharus. Photo Nicholas Durnan

Photo of a saltire from the mosaic
A saltire. Photo Nicholas Durnan

A1 also contains a saltire at the centre of which is a flower with smaller petals toward the points of the compass. This is enclosed in a border of darker blue triangles as pointers, aiming towards the SW and NE corner. There is just enough of this border in C3 to suggest that it is repeated.



Diagram of the lozenges Lozenge shape found in the mosaic

Each pair are similar.
Some with a leaf and an inverted one together.


Photo of a double heart in the mosaic Double heart. Photo Nicholas Durnan
Photo of intertwined links Photo Nicholas Durnan

Photo of the meander in the mosaic The double heart - some with a simple intertwined pair of links- a guilloche knot with a leaf tip at each apex. Some have diamonds and triangles or hour glass forms, others split squares and one a meander.

Meander. Photo Nicholas Durnan




In B3 the middle panel is a saltire, pointing towards the corners of the room. It is centred by a roundel with an indefinable middle.

The L shape formed by line D1-D4 and to A4 has some of the other motifs included and some new. D1 shows a half of an interlinking square star of double cord guilloche and in the space contained within, a half octagon with three heart-shaped leaves pointing towards a half circle.

Photo of the pattern within the half octagon Photo English Heritage Photogrammetry Unit, York







Photo of the 3 cord guilloche plait
3 cord guilloche plait. Photo Nicholas Durnan
Photo of the dolphin swimming west
The dolphin. Photo Nicholas Durnan


D2 appears have contained what is also in B4, a rectangle containing a 3 cord guilloche plait, flanked by two sets of lozenges, as two cubes or perspective boxes set together.

In D3 the image that was flashed across the world by the world press, the dolphin swimming west.

Diagram showing the cube formationIn the south west corner a cube had on its 'flat' surface a guilloche knot with hour glasses on the lozenges. Turning the corner to C2 the half octagon contains a cup from which spring two leaves, linked by their stems.

B4 has been shown as D2 above and D 1 appears to be as A4.

Ante chamber Northern section of room 1

The ante chamber was badly damaged but has a scheme of irregular octagons developing small squares. There is a recessed area to the east, the wall following the line of the east wall in Room 1a. This has a floor of the large tesserae. The mosaic in the south rectangle links into a panel running north south. The ‘leaf in circle’ design continues as the boarder but the band of guilloche appears to change from two strand to a four strand plait or guilloche.

To the south west of the panel is a small block of dark and light grey checker pattern, there is a similar area in cream and blue to the east and red and cream to the north. A segment of the umbrella roundel was visible on the south and in-discernible to the south. To the north west a half hexagon contains a half circle and a severely damaged interior. To the east another roundel resembles the one in B2.

The narrow room 4 running to the west has a central panel that differs from the other rooms in a number of respects. The side panels of large creamy grey are wider throughout the preserved length. The first border in finer tesserae is of blue triangles set in light grey. A simple blue square at the eastern end contains an eight point petalled flower but at its centre two interwoven links of a guilloche knot. Beyond this to the west a larger area of meander in dark blue and then finally to a square containing three (and probably a fourth) heart-shaped leaves with stems to the corner.

It is believed that the pattern continued beyond the limits of the excavation.

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